A DUNDEE student is working to ensure that Afghanistan’s female artists are not forgotten, despite efforts from the country’s Taliban rulers.
Mahtab Karami, a PhD student at the University’s Duncan of Jordanstone College of Art & Design, is creating a digital archive of artwork created by women and girls during the past two decades, arguing it is vital for providing Afghan women with a voice in the world today.
Artistic expression by female artists has been severely restricted by the Taliban since it regained control of the country in 2021 and as a result, drawings, paintings, and other artworks are reportedly being destroyed or removed from public display.
To ensure these can be shared with the world despite the challenges facing creators, Mahtab has started to collate photographs and documentation of more than 150 artworks, ensuring they can still be viewed – regardless of what fate befalls the physical pieces.
It is part of a wider research project she is conducting to establish comparisons between the work of Afghan artists and female counterparts in other Middle Eastern states.
Mahtab, said: “This is a very contemporary issue.
“Art can be used as a form of resistance and female artists are still trying to find ways to navigate their careers given the restrictions they face.
“In other countries in the Middle East, there are established ways of doing this, but this is less clearly defined in current day Afghanistan.”
Following the removal of the Taliban by coalition forces in 2001, nearly two decades of reform had allowed female artists to develop their careers and display work publicly in much of the country.
However, following the withdrawal of coalition forces in 2021 and the subsequent return to power by the Taliban, these freedoms have quickly eroded.
Education for girls has also been curtailed, with UNESCO reporting that 1.4 million girls have been deliberately deprived of schooling in the past three years.
Mahtab said: “Female artists were flourishing before the Taliban, However, women living in rural areas would still have faced issues if they had wanted to show off their art, even before the return of the Taliban and it is important to acknowledge that.
“But now women and girls are banned from attending schools.
“The Taliban do not care about providing a pathway for them to grow as artists because they are restricted from having a normal life, they cannot begin to think about creating artwork.”
Mahtab’s research, supported by funding from the UKRI Arts and Humanities Research Council, will compare the work of Afghanistan’s female artists with those from Iran, Iraq and Egypt.
As well as canvassing online networks for previously created records, Mahtab will also utilise personal connections in the art world to interview some of the artists, while bringing together photographs and other information to comprehensively detail each piece.
In total, Mahtab hopes to catalogue in the region of 500 pieces of art, providing a permanent record of the work of artists who face significant hurdles in showcasing their talent.
Mahtab said: “I understand how women in Afghanistan may feel – frightened and scared – but many will also want to use art as a form of resistance to express themselves.”
“Many of them want to show the world that they exist and have something to say.
“This project gives their work an opportunity to be seen and to endure.
“Interviewing the artists will allow people to learn more about their situation and what they face in Afghanistan.
“It is vital that these people and their paintings do not disappear from the history of art.”